Wednesday, January 18, 2012
The plates have been subtly rotated and layered, forcing depth in the diamond-shapes where color overlaps—the metallic ink forces you to move around the prints, to look from many angles, to consider them spatially, and it is this bodily effect that returns Deacon’s line to sculpture.
—Julia V. Hendrickson, for Art in Print, vol. 1, no. 5